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Programme du
Mars 2008
6 march
international woman's day
EXPOSITION
>>>Ahmed Aamir Jabir
International week of French
language
Form 16 till 20
march, in CCF
Shows- 3MA,
Editorial
The art, a continent without horizon
A thick line in a background, a red or yellow line,
sometimes bleu…. Then a little bit oval, and seems
to be like a white line……. Or it seems to be like
this…. In the background there are clear and soft
shapes. Maybe some trees, a distant house…that is,
we know where the cloth transported us to Sudan. The
Sudanese painters have crystallized their country by
colored marks in clear backgrounds; these colored
forms are Toubs, the white marks, the Djellabias… we
could almost hear the fabrics slamming the air… then
it is enough to go out of Khartoum, the sink in
large spaces in the weak density which is offered by
the Sudan and in fact, we will see its silhouettes
which walk in the desert. In the clothes of
Sudanese artists. We will find streaming out colors,
and when we discover the boards of Omer Khalid
(January 2008 in the CCF) where colors are rare as
if they were picked up to offer other possibilities…
we ask ourselves. It is dark, nebulous, "we feel
bad"….. and yet these clothes are not monotonous
neither superfluous, in the contrary, we discover
that the black, the white and all degrees that it
implies, offer a great possibility as if we can
discover a new language which permit to understand a
new world….. We discover relieves in these flat
clothes, we discover humors without an object
presence. The stranger use to be material, we could
have leanings to judge hasty, to almost push back…
but we return back to it, without really appreciate,
we are led to something that we do not understand
and yet with which we learn to live, to discuss to
contemplate, to accept.
The art and mathematics divide this common
point that the combinations are infinitive; the
creation of the man is unlimited, and those who knew
how to master this creation, to satisfy it, to
annihilate it are about to…
The debates about arts are going on; is it a mission
of stretch towards the beauty, the good, has it to
mix with politics? Can we authorize all under the
pretext of the art? Is the art available for all or
we have to "protect" it? Can it be attained freely
or not? In all cases, to those who do not like it,
it will always be vain to predict the end of the
creativity of art for ones or for others, the art
still a continent without horizon which asks always
to be explored and re explored.
Mathieu O'Keefe |
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